Soft Animal

I read somewhere recently that your body is the only way you have any experiences in the world.

This is painfully obvious, maybe, but it wasn’t to me. As a post-Enlightenment person, I’ve struggled for many years against the feeling that I am a rather defective brain in a vat. That is to say, “I” am my brain, and my vat is this meat-suit that for some reason cannot process certain ordinary foods and which gets sleepy at inconvenient times.

But I am the vat. So is my brain. Everything my brain has ever done has been because the vat was there to do it. At the end of the day, my brain is an organ that feasts on glucose and relies on other squishy little organs to function. Every shard of love, every brilliant thought, every heart-piercing thrill, happened in my body.

Now, where did I read this helpful little nugget of wisdom? On the Internet somewhere, which means I have no idea who said it or in what context, because the Internet is a soup of free-floating little ideas. Just like brains in vats, ideas on the Internet are rootless entities. The Internet is a masquerade ball for brains, the place where brains go to be on holiday from their vats. On the Internet we’re all just user-names, cell numbers, saying words, needing nothing but electricity to work. I send memes or thinking-of-you texts to a username or a cell number and I truly believe, if I don’t bother thinking about it too hard, that I am communicating directly with a person I care about. I forget that I’m using my body to talk to a machine, relying on the fact that the person I care about will use their body to talk to their machine soon and we will thereby be connected. But that person is not their cell number, their Instagram inbox, any more than the love I feel for them is the digital photo of the enormously fat grizzly bear I send them.

Online we are stripped down to pure thought, pure language. This illusion is quite an ego trip for the brain, which is humiliated to be so dependent on its embarrassing and unpredictable body.


I haven’t been writing much. I forget to do it, if I don’t have my to-do list helping remind me to. (Don’t let anyone ever tell you that a writer is someone who can’t help themselves from writing. On the contrary; it’s very easy to avoid it for days, weeks, years. Especially the hard parts: long projects, messy ones. Ones that require research. It’s the easiest thing in the world not to, just as it’s terribly easy not to eat vegetables, for a while.)

Every so often I realize I “should” post something here. Then I consult my trusty box of ideas. Twenty-five pages of them. I scroll down from the top, up from the bottom, middle out. But there’s often just a shrug awaiting me there. A lot of the ideas have really missed their moment (sorry, guys). A lot of other ones are very heady—maybe the kind of thing my brain fancies itself impressive for even considering writing, but the rest of me just goes—

Give it a rest, nerd.

So on a quiet afternoon, here’s where I find myself: low energy. It’s raining outside. The bright yellow leaves look especially brilliant against the gloomy gray. Mug of chai with some extra ginger slices in. Bright-red fall-scented candle making it all smell pretty spicy in here. Between books and board games and Sunday dinner.

If there is a time for my brain to charge ahead, write some impressive thing or other, this is not it. Today is a day, with apologies to Mary Oliver, for the soft animal of my body to love what it loves.

It’s a carousel, not a slog-el.

There are up days and down days with writing.

Last week was a bit of a down week—I had gotten pretty close to seizing a particular brass ring when the ring, on further consideration, passed me by. Book One remains a bit too long, a bit too slow, a bit too slack.

To abuse this image for a while (while noting the irony of going on at length in the face of feedback about going on at length), for the months when I thought I had the brass ring in my clutches, I had even begun to worry about grasping the ring. Is this the right ring for me, or is the one behind it better? Is the carousel going too fast? Will I break my finger bones as I grab it going by? (This literal fear gripped me viscerally on carousels as a kid.) Where will I put the ring when I grab it, given that the outfit I wore to this carnival lacks pockets? Do I really want to grasp this ring? Back off, pushy ring.

And so on. Counting chickens, borrowing troubles.

And then when the brass ring said “never mind,” I started counting other chickens, borrowing other troubles. Does this mean there is no ring at all for me? Will the ride end before I get another shot at grabbing it? Will someone else grab the ring meant for me? Could this all have been a big convoluted yet hilarious mixup and the ring actually does want me? Should I go back and ask? Or should I slam on the emergency brake and demand to be let off the ride altogether?

It’s exhausting, unproductive, and time-consuming, riding this carousel of thoughts. Nor is it any fun. In the end, aren’t those the two general metrics we use to judge whether something is worth doing? Is it getting me somewhere I want to be in an efficient manner? Am I enjoying it? If the answer is “no” to both, perhaps best to let go.

Easier said than done, letting go of worry. I should know.

A little harder is using this reminder to shift my attitude about writing altogether. After all, if I’m doing a thing during my free time, it had better be paying some sort of dividend. My writing is far from lucrative, and may never be. So the dividend must belong to the other category: enjoyment.

Isn’t that why I started in the first place? (Sort of. It’s complicated.)

No matter. This is something that lights my soul up most of the time. I don’t ask why I sit outside when the breeze is delicious. I don’t ask why I laugh with people I love. I don’t fret about grasping those brass rings because they are the brass ring.

And if a project isn’t lighting my soul up, for an hour or a day? Put it aside until it does. After all, who wants to read something that was written at the bottom of the energy barrel, with big “this was on my to-do list so I’d better check it off before I’m allowed to go to bed” energy?

Not you, I imagine. Not me.

The brass ring is a bonus on a carousel, after all. Even if you don’t get the ring, you got to carouse.

2020: Downhill

There are less than six months left in 2020. (Aside: I want to be able to write “There is less than six months left in 2020,” because I’m less interested in the countable number of months than in the uncountable amount of time, but it just looks so completely wrong that I can’t bring myself to do it. (Other aside: remember this pedantry later.)) I have yet again set goals for these next six months, which I plan to share for accountability!

But also! As I said last time, it seems crazy to be setting goals right now, what with all the trust in the future that that requires. If the first half of 2020 has taught us anything, it might be that we really can’t count on life looking any particular way at any particular time. Sometimes things just change. Sometimes there are murder hornets and maybe also flying snakes and they’re not even that big of a deal because there is so much else going on.

I’m not one for sports analogies. I needed help understanding the problem when Pete Buttigieg, way back many years ago in January, referred to Kobe Bryant’s achievements on the “field.” But even I understand the inherent drama about entering the second half of a sport thing. Are we up? Are we down? Do we have everything to lose or everything to gain? Etc.

And I think if I understood sports, I’d know that you can’t plan the second half until you understand the strengths and weaknesses of your team. Here’s the thing: I always expect future-me to be an absolute superhero, a champion of efficiency who may also be able to time-travel, who squeezes 24 hours of productivity into an 8-hour day. She bears no relation to present-me, but I applaud present-me for this optimism.

So my work recently has been to accept that present-me, who needs a lie-down between tasks and who sometimes comes to covered in chip dust at the bottom of a Wikipedia k-hole, is the one I’m asking to do all of this. I’ve tried to give her a reasonable ask.

After that scale-back, I’m feeling pretty okay about my ability to do what I set out to do in the second half of 2020. Here’s what I’m aiming for:

  1. Take an online course on intuitive eating (half done)
  2. Play the piano at least three days per week, and be able to play one specific song fluently by the end of the year.
  3. Write a SFD (shitty first draft) of Book Three. (Note: this one I’m not at all sure will happen. “Not with that attitude!” you may object. But…seriously.)
  4. Perfect my query letter and send 60 queries for Book One.

Check back in 6 months to see how it went, assuming the internet still exists and I have not been murdered by hornets.

(Now, a final note on pedantry and the efficiency of present-me: I got waylaid for literally 24 hours by whether to say there “are” or “is” less than six months left in 2020. This is not the behavior that future-me expects from present-me! As a team, we will have to work on this.)

Goals in the now-times

Back in the before-times, I made some goals for the first six months of 2020.

lol.

It had been my intention all along to come back here and check in on those goals at the end of June. But as you may have noticed, the world has been doing something that looks a lot like falling apart, or (more hopefully) metamorphosing, between then and now.

I had no idea in early January that in the next six months I’d be up against a long bout with pneumonia, a global pandemic, a big transition in my family, major social upheaval, and getting ready to move apartments.

But here we are!

Mural on the Metropolitan Branch Trail by @marnimanning, used with permission.

These are over-the-top, bang-you-over-the-head type reminders that we are not in control of circumstances. We are not in control of the future. But making goals is an act of putting trust in the future.

That’s a tension I struggle with. I often look into the future with a jaundiced eye, unable to believe that anything good will come of it unless I wring it out with sheer effort. I’m consistently wrong about this. Time demands that I understand it will always surprise me.

Despite all this, I’m going to do a little reflection over the next few days to figure out what I want to put my attention and energy to in the second half of 2020. I’m going to set goals exactly as I did in January. I do not know what the world or my own circumstances will look like in late December. I’m going to try to live in that place between trust in the future and humility in my own ability to control it.

All that said, how did I do on 2020 goals part 1?

  • Querying Book One: ✔️
  • Semi-detailed outline for Book Three and reading at least one research book: ✔️
  • Therapy at least once a month: ✔️
  • Comfortably running ~5 miles regularly: Absolutely not in this climate. Migraine city. Could reassess once the swamp cools down this fall. Could not.

Honestly, I’ve never felt more grateful that I happen to be an introvert.

Overprocessing

My computer is getting older, so it can’t handle running too many processes at once. But I still force it to hold fifteen tabs across two browsers that I really do intend to read soon, and some sheet music, and various Google Docs for writing projects, plus two different word processors for two different writing projects I’m simultaneously working on (with the help, obviously, of the Google Docs).

I was trying to also live-stream my church service, while flipping back and forth between all of this information (because the church service wouldn’t stream properly, so I kept getting bored, and that means more tabs need to be open to assuage my boredom, which further prevented the church stream from working.)

All at once it occurred to me: of course the live stream can’t load with all that demand on this old laptop. This is the exact same reason my brain often doesn’t seem to work anymore, and it shorts out when one more process is added (typically a noise is what takes me over the edge into cannot-function: this added stimulation completely fries me).

I’m always pulling myself in twenty directions, always dipping my toes in many little streams of information at once, asking my poor cognition to handle reading five books at a time and listening to podcasts and working and writing lots of unrelated things.

It makes sense that nothing makes sense, in conditions like that.

So I opened a new tab to write this insight down.

Burying my darlings

Apparently Faulkner didn’t say it, nor did Wilde or Welty or Chekhov. Instead, it was an obscure Cornish writer named Arthur Quiller-Couch who said that you must kill (in his words, “murder”) your darlings.

(Side note: Quiller-Couch published his novels under the pseudonym “Q.” I wonder if the QAnon people know that their long-lived deep-state hero also spent decades as a novelist and literary critic, centuries after writing a lost source for the Gospels. (If you don’t know what I’m talking about, you are fortunate.))

“Kill your darlings” is one of the most hackneyed pieces of writing advice out there, but it’s a cliché only because it’s completely true. To edit well, you must kill your darlings. Delete the little turns of phrase, the scenes, the characters, that you adore but which are weighing down your piece.

It’s way harsh.

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January 25, 2015

The breeze is drawing little crosshatch patterns on the tidewater like skin seen from close up. 

The Sound is so inaccessible but this gap feels like infinite breathing room. Big splooshes of invisible fishes nearby, and waterfowl and bald eagles. We’re still in view of housing developments but we all get a respite anyway. 

There’s the universal smell of saltwater and damp ancient rocks. 

Up days, down days

“How’s it going?”

If you have any answer to this than “it depends,” I want to know your secrets.

This whole situation (you know the one I mean) has been basically this:

Can you relate? I think the only variable is the relative length of time the solid days last vs. the hell zone. Sometimes, honestly, it’s 1-to-1.

Fortunately, I’m a veteran of this crazy-making oscillation, because I make myself write for fun! Writing hell zones are frequent, but on the plus side, the “solid days” are much better than solid.

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Tapping out

Two months ago, I said I’d write a post a day until this was all over.

Fool that I was, I think I expected that it would be clear when it was over. At this point, “it” remains confusing and variable and unlikely to be entirely over any time soon.

I’m not even sure what I think “it” is: the pandemic? The moral imperative to isolate if possible? Stay-at-home orders? Nonessential businesses closed? These all will have different end dates, possibly multiple end dates, and—

Friends, I just can’t post every day for that long.

Fortunately, I checked the tapes, and despite remembering that I said I’d post daily until this ended, here’s what I actually said: “I will be posting something here every day until…someday.”

Clever girl!

So, today is someday. Two months in, I’m tapping out. I’m going to keep posting here a few times a week, but focus more on Book One and Book Three with my writing time.

This has been an interesting experiment. It’s taught me, maybe, that I can trust myself to have ideas and to write stuff, but also to understand that I won’t necessarily do so precisely on cue, and that’s okay. Some days posting was very hard, either because I had nothing to say, or a lot to say and no energy with which to say it, or because I felt so strongly that I was yelling into a void that prefer I stop. And some days, posting was easy. Not to worry either way, I guess.

It was also interesting to watch which posts people seemed to like more than others. What I learned: I have no idea what y’all want. And the bigger lesson there, of course, is that I should just let go of trying to please others and do what I want! Whee!

But yesterday I simply did not post, because I was busy and/or did not feel well, and it was kind of great. It was what I wanted.

In that spirit, what I want right now is to finish this tea, go for a walk/run thing (fingers crossed that this won’t take me to migraine city), and then get on with most this amazing day.

i thank You God for most this amazing
day: for the leaping greenly spirits of trees
and a blue true dream of sky; and for everything
which is natural which is infinite which is yes

(i who have died am alive again today,
and this is the sun’s birthday; this is the birth
day of life and of love and wings: and of the gay
great happening illimitably earth)

how should tasting touching hearing seeing
breathing any—lifted from the no
of all nothing—human merely being
doubt unimaginably You?

(now the ears of my ears awake and
now the eyes of my eyes are opened)

e.e. cummings

The tyranny of content

An unoriginal observation: the “attention economy” encourages us to become weird versions of ourselves.

If you’re just a regular slob with a social media account, what do you post when your audience includes basically everyone you’ve ever known? Jenny Odell said it well: you imagine what you would say if you walked into a party where the attendees included everyone in your high-school class, plus a few hundred randos you met in college and after, plus your family members across all generations, plus strangers you met through common interests.* And, by the way, all of them will hear whatever you say to some of them, because for some reason you’re miked up.

You probably say something pretty boring.

It’s natural, it’s human, for us to calibrate our conversation to suit who we’re speaking to. But social media asks us to turn this impulse off, and just say “it”—whatever it might be—to everyone at once. This can’t help but change what we say. It tends to make us second-guess our spiciest opinions, which we’d feel comfortable exploring with this group but certainly not if that one is listening in. And then there is a concrete system of reward (likes) and punishment (crickets) that cannot but encourage us to mold all of our expression into whatever the crowd enjoys most loudly.

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